Remembering the legacy of Béla Bartók

New compositions shine at the Bartok World Competition in Budapest

The first prize of the 2024 Bartok World Competition (5,000 EUR) was awarded to Seoul-based composer Lee Hanuri, the second prize to composer Kim Shin, also from Seoul; and the third prize of 2,000 euros went to Hungarian composer Mátyás Papp. All works were selected by an international jury led by world-renowned British composer Thomas Adès.

The works were presented at the award gala concert in the Solti Hall of the Liszt Academy on 23 November 2024, at which pianist József Balog, a member of the jury, played Bartók pieces alongside the winning works.

Lee Hanuri and Mátyás Papp won a special prize from Editio Musica, their works will be published, and also included in the repertoire of the 2025 Bartók World Competition for Pianists.

Kim Shin received a special prize from the Sonus Foundation in Hungary to participate in the FOCUS on You mentoring programme, and Mátyás Papp received Papageno's media package.

The international jury also awarded certificates of honorary mention to Spanish composer José González Granero, Korean Geonwook Park, and Chinese composers Ji Zekun and Wu Qingye.

The Liszt Academy with the subvention of Hungarian Ministry of Human Capacities launched the Bartók World Competition & Festival on the occasion of the 135th anniversary of the birth of Béla Bartók in 2017.                                                                                                                                         

Besides featuring a repertoire demanding the very highest musical expertise, the Bartók World Competition achieves – also in its structure – something totally new compared to traditional music competitions. The competition is built around the most characteristic strands of the Bartók oeuvre, that is, piano, violin, chamber music and composition, in a six-year cycle. The individual instrumental competitions are organized every other year, with composer competitions in between, which always tie into the forthcoming instrumental category.

This distinctive structure is effective both at drawing the attention of the best instrumentalists of the upcoming musician generation to the works of Bartók and at the same time inspiring young composers to create new works written in the spirit of Bartók.

Prizes :
1st prize : Lee Hanuri (18), Seoul
2nd prize : Kim Shin (30), Seoul
3rd prize: Mátyás Papp, Budapest

Jury:
Tomas Adès (Chair), Augusta Read Thomas, Shinuh Lee, Gyula Fekete, József Balog

© WFIMC 2024 / FR