While guitar competitions are often dominated by standard repertoire such as “Concierto de Aranjuez”, this year´s edition featured a completely different repertoire in the finals: together with the Quartetto di Torino, finalists were required to perform either the Quintet op. 143 of Mario Castelnuovo-Tedesco, or the Gran Quintetto op. 65 of Mauro Giuliani. All finalists chose the Castelnuovo-Tedesco.
Castelnuovo-Tedesco composed his Guitar Quintet in less than a month early in 1950, in response to a request for a chamber work for Andres Segovia to play for the Music Guild of Los Angeles. Segovia premiered the work here a year later with the Paganini Quartet. “It is a melodious and serene work, partly neo-classic and partly neo-romantic (like most of my works),” the composer wrote. “I would say, it is written almost in a Schubertian vein – Schubert has always been one of my favorite composers.
The theme of the competition for composers was “Mille regretz” by Josquin Desprez (1450-1521), one of the most famous songs of the sixteenth century in Europe, that was transcribed in countless versions also for plucked instruments. For the competition, a quote of the song was required to be included in a new work with a duration of approx. 10 minutes.
Unlike the main competition, the composition competition did not set an age limit.